4.3.15

My Favorite Poets No Matter Their Age are Young Men & Poetry As It Should Be Read

MIRACLES.
WHY, who makes much of a miracle? As to me I know of nothing else but miracles, whether I walk the streets of Manhattan, or dart my sight over the roofs of houses toward the sky, or wade with naked feet along the beach just in the edge of the water, or stand under trees in the woods, or talk by day with any one I love, or sleep in the bed at night with any one I love, or sit at table at dinner with the rest, or look at strangers opposite me riding in the car, or watch honey-bees busy around the hive of a summer forenoon, or animals feeding in the fields, or birds, or the wonderfulness of insects in the air, or the wonderfulness of the sundown, or of stars shining so quiet and bright, or the exquisite delicate thin curve of the new moon in spring; these with the rest, one and all, are to me miracles, the whole referring, yet each distinct and in its place. To me every hour of the light and dark is a miracle, every cubic inch of space is a miracle, every square yard of the surface of the earth is spread with the same, every foot of the interior swarms with the same. To me the sea is a continual miracle, the fishes that swim—the rocks— the motion of the waves—the ships with men in them, what stranger miracles are there?
Walt Whitman
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If You Forget Me
I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda
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The Garden
Like a skein of loose silk blown against a wall she walks by the railing of a path in Kensington Gardens, and she is dying piece-meal of a sort of emotional anemia. And round about there is a rabble of the filthy, sturdy, unkillable infants of the very poor. They shall inherit the earth. In her is the end of breeding. Her boredom is exquisite and excessive. She would like some one to speak to her, and is almost afraid that I will commit that indiscretion.
Ezra Pound
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The Snow Man
One must have a mind of winter to regard the frost and the boughs of the pine-trees crusted with snow; and have been cold a long time to behold the junipers shagged with ice, the spruces rough in the distant glitter of the January sun; and not to think of any misery in the sound of the wind, in the sound of a few leaves, which is the sound of the land full of the same wind that is blowing in the same bare place for the listener, who listens in the snow, and, nothing himself, beholds nothing that is not there and the nothing that is.
Wallace Stevens
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Piano
Softly, in the dusk, a woman is singing to me; taking me back down the vista of years, till I see a child sitting under the piano, in the boom of the tingling strings and pressing the small, poised feet of a mother who smiles as she sings. In spite of myself, the insidious mastery of song betrays me back, till the heart of me weeps to belong to the old Sunday evenings at home, with winter outside and hymns in the cozy parlor, the tinkling piano our guide. So now it is vain for the singer to burst into clamor with the great black piano appassionato. The glamour of childish days is upon me, my manhood is cast down in the flood of remembrance, I weep like a child for the past.
D. H. Lawrence
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The Layers
I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides, from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: "Live in the layers, not on the litter." Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes.
Stanley Kunitz
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Do Not Go Gentle Into That Good Night
Do not go gentle into that good night, old age should burn and rave at close of day; rage, rage against the dying of the light. Though wise men at their end know dark is right, because their words had forked no lightning they do not go gentle into that good night. Good men, the last wave by, crying how bright their frail deeds might have danced in a green bay, rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, and learn, too late, they grieved it on its way, do not go gentle into that good night. Grave men, near death, who see with blinding sight blind eyes could blaze like meteors and be gay, rage, rage against the dying of the light. And you, my father, there on the sad height, curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
Dylan Thomas

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